Andy G. ART2003
Friday, August 2, 2013
Gallery Proposition
Many artists create their art in
the hopes of exploring their own identity. Other artists use their art to not
only explore their identity but to cause the viewer to do the same thing. My
gallery will show the work of artists that try to do this. While the artwork on
its own is fantastically done, the extra beauty that is found in the
exploration or defining of identity gives these works their true meaning. The
work in this gallery will explore the things that define our identities. The
exploration of identity may not have been the intention of the artists.
However, seen through this lens, they are powerful commentaries on the subject.
The Artists
Binh Danh – Danh has created a technique to use photosynthesis to print photographs on leaves. He has used this to great effect, creating haunting images of the Vietnam war, making is seem as if the war has been forever burned into the memory of the jungle. As an international event, the Vietnam war is something that will be recognized as a nation. Dahn's images in the gallery may cause Vietnamese to feel anguish and Americans to feel regret because of the fact that we identify ourselves by the groups to which we belong, groups as large as nations. This identifying with groups is one part of everything that makes us who we are and is well illustrated by the emotions that gallery viewers will feel.
Do
Ho Suh – Do
Ho Suh
moved to the United States from South Korea. He puts a lot of emphasis on his
roots in his work. He has done a number of households created in fabric (including his own childhood home) and work that has reflected both his South Korean heritage and his current residence in the USA. The piece presented in the gallery features signatures from 5000 people who have touched his life in some way, shaping his identity.
Carrie
Mae Weems – Weems’ photographs focus on a number of the parts of what create a
person’s identity. She promotes cultural awareness through much of her work,
specifically for African American communities. In her series entitled Kitchen
Table, however, Weems is shown in a number of different situations at the same
table. The series shows how our identity changes from one situation to the next
even though everything else remains the same.
Sophie
Calle – A
performance artist who has been called, “an intellectual striptease,” Calle made
a number of perhaps unintentional investigations into what creates a person’s
identity. In her work The Address Book, she
used all of an unknown person’s contacts to create an identity for him. In The
Hotel, Calle
spent three weeks as a housekeeper in a Venetian hotel. During this time she
went through the belongings of those staying there and created dossiers on
these people. The Hotel shows just how much of one’s identity can
be defined by the items that one owns.
Gillian
Wearing – Wearing, a photographer, is well known for her Signs
That Say
What You Want
Them to Say and not Signs That Say What Someone Else
Wants You
to Say
series and her self portraits that are done while wearing a mask of someone
else’s face. Through the lens of identity, these photographs are in opposition
to Calle’s
work. They represent our internal identities, the way that we see ourselves.
There is a mask that we show the world, our external identity, and then who we
truly are underneath it.
The Gallery Layout
The gallery will be laid out in a way that symbolizes the layers of our identities. First will be a room for Binh Danh's chlorophyll prints, the outer layer of our identity, one of nationality and belonging to a group. Following Danh's work will be a room with Weems' photographs showing how our identities can be temporary and change with the situation. Sometimes we can be a friend, a parent, a lover. This will lead into a room with both Calle's and Suh's art. First will be Calle's The Hotel pieces, then a pile of her newly re-released Address Book (patrons will be able to take one). Behind the books will be Suh's Paratrooper V. This room will be to represent how our possessions give us an identity and how others perceive this identity, as well as how those who observe us in turn shape us. The final room will contain the work by Wearing, showing that there is an internal identity under the mask.
Binh Danh
Binh Danh. Drifting Souls, 2000.
Chlorophyll Print, Resin, 11.5 x 32 in.
Binh Danh. Mother and Child, 2005.
Chlorophyll Print, Resin, 11.5 x 32 in.
Binh Danh. Combust, 2005. Binh Danh. Untitled, 2006.
Chlorophyll Print, Resin, 14 x 11 in. Chlorophyll Print, Resin, 14 x 11 in.
Binh Danh. Helicopters, 2006.Chlorophyll
Print and Resin, 15 x 15 in.
Carrie Mae Weems
Carrie Mae Weems. Kitchen Table Series, Untitled,
1990. Gelatin Silver Photography, 27 x 27 in.
Carrie Mae Weems. Kitchen Table Series, Untitled,
1990. Gelatin Silver Photography, 27 x 27 in.
Carrie Mae Weems. Kitchen Table Series, Untitled,
1990. Gelatin Silver Photography, 27 x 27 in.
Carrie Mae Weems. Kitchen Table Series, Untitled,
1990. Gelatin Silver Photography, 27 x 27 in.
Carrie Mae Weems. Kitchen Table Series, Untitled,
1990. Gelatin Silver Photography, 27 x 27 in.
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